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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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TRAVERSI, Gaspare
Italian Painter, ca.1722-1770
Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749 |
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TRAVERSI, Gaspare
The Drawing Lesson aet
c. 1750
Oil on canvas,
Nelson-Atkins Museum of Art, Kansas City
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TRAVERSI, Gaspare
The Sitting qt
1754
Oi on canvas, 99 x 130 cm
Mus??e du Louvre, Paris
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TRAVERSI, Gaspare
The Music Lesson
mk156
c.1750
Oil on canvas
152x204.6cm
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TRAVERSI, Gaspare
The Drawing Lesson
mk156
c.175
Oil on canvas
161.7x204cm
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TRAVERSI, Gaspare
Finding of Moses
122 x 152 cm Private collection Diziani, who painted narrative (biblical and mythological) scenes, treated this subject several times. Author: DIZIANI, Gaspare Title: Finding of Moses , 1701-1750 , Italian Form: painting , religious
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TRAVERSI, Gaspare
Salome mit dem Haupt Johannes des Taufers
ca. 1760(1760)
Medium Oil on canvas
cyf
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TRAVERSI, Gaspare
Portrat des Fra Raffaello da Lugagnano
ca. 1750(1750)
Medium Oil on canvas
Dimensions 38 x 26 cm
cyf
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TRAVERSI, Gaspare
The Seduction
circa 1752(1752)
Medium oil on canvas
Dimensions 35.5 X 43 in
cyf
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| TRAVERSI, Gaspare
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Italian Painter, ca.1722-1770
Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749
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